I remember the days (2022)
"A video made with clips from my phone. The footage is from car rides, my backyard and nature shots in the Netherlands but also some more specific shots from the cities Leeuwarden and Rotterdam. The music is constructed with rehearsal material from this period of time."
Filming, music edit, vocals, flute: Nadia Marak
Film edit: Efthymios Stavropoulos
Bass clarinet: Oriol Marès
Piano: Daniel Bulatkin
Double Bass: Thodoris Ziarkas
Drums: Hektoras Remsak
Letter in November (2022)
"Letter in November is based around the eponymous poem by Sylvia Plath. It is a contrasting piece that deals with love, beauty and happiness but also uncertainty, loneliness, despair and insanity. To depict the inner turmoil of the poem's protagonist I chose to have this represented by two singers rather than one."
Composition: Nadia Marak
Conductor: Otto Rissanen
Voice: Nina Künzel, Teja Poljansek
Violin: Anastasia Koukioglou, Emma Jensen
Viola: Iago Velo Quintairos
Cello: Flavia Escartin
Future Diary (2022)
"This piece is composed with the idea that following the script of your own (future) life would sometimes be very nice. Just follow the script, go with the flow and you just do and do not have to think about it. But life is uncertain, and not always a bed of roses. While writing the piece, I couldn't help being truly saddened and moved by the war in Ukraine too. It has influenced some parts of this future diary."
Composition, flute: Nadia Marak
Alto saxophone: Tania Zountsa
Bass clarinet: Oriol Marès
Piano: Daniel Bulatkin
Double Bass: Thodoris Ziarkas
Drums: Hektoras Remsak
Witches (2019)
"Witches is a short film made in collaboration with students from the Willem de Kooning Academy and the Rotterdam City Archive for the Month of History 2019 with the topic She/Him."
Film: Eva Luna van Stigt Thans, Rient van de Crommert, Eunhyang Claire Lee
Composition: Nadia Marak
Were I to die (2019)
A commissioned piece for Domestica Rotterdam. "Were I to die is about saying goodbye. Although it's a modern composition, it's also related to the baroque music. My inspiration for the piece originates from the exact moment Lucrezia Borgia has to leave Rome for her third marriage. With this, she leaves her two-year old son Rodrigo behind. I divided the music in three parts whereby every part reflects an emotion in the process of saying goodbye. Which emotions they are, I'm leaving up to the imagination of the public. The lyrics (translated by Hugh Shankland) are by Lope de Estuñiga and partly mine. The lyrics are mainly in English but also some passages are in Spanish (amor) and Italian (amore)."
Composition: Nadia Marak
Mezzo-soprano: Veerle Sanders
Conductor: Wim Steinmann
Ensemble: Domestica Rotterdam
Rapid Eye Movement (2022)
"Do I remember? Do you remember? Why can't I remember my dreams?"
"This work stems from the project "blind date". A collaboration between students in dance at Codarts, students of composition at Codarts and students of Willem de Kooning Academie Rotterdam."
Dancers: Da Young Kim, Jaime "JJ" Neves, Michele Simi, Milica Mucibabic, Szymon Walawender, Thomas Tardieu, Valentina Messieri
Costumes: Juliette and Zoë
Visuals: Sten
Sculpture: Emily Claridge
Composition: Nadia Marak and Tomás Alvarenga
I Felt a Funeral in my Brain (2019)
"This composition is based around the thought of experiencing your own death and funeral. It uses the lyrics from the eponymous poem of Emily Dickinson."
Composition: Nadia Marak
Poem: Emily Dickinson
Voice: Marieke Koster
Piano: Laurens de Boer
Percussion: Martijn Krijnen
Film edit: Efthymios Stavropoulos
The days (2022)
"A video made with clips from my phone. The footage is from my backyard, Groningen and 'Het verdronken bos' in Tull en 't Waal. The music is constructed with rehearsal material from this period of time."
Filming, music edit: Nadia Marak
Film edit: Efthymios Stavropoulos
Saxophone: Tania Zountsa
Lapsteel guitar: Domenico Napoli
Nala (2019)
"I created a triptych about my cat Nala. She was with me for almost my entire childhood. Nala was a great hunter. There was one time that she dragged a big rabbit/hare inside our home! Op Jacht (I) is about one of the times the prey managed to get away. Op Schoot (II) is about her favorite place to lie down and sleep. Because we moved a lot when I was younger, Nala had to familiarize herself over and over again to new surroundings. Op Reis (III) is about the time she thought she knew the neighborhood but got lost. Eventually she found her way back home."
Composition: Nadia Marak
Flute: Carlos Dadín Dominguez
Remember (2022)
"A video made with clips from my phone. The footage is from public transport rides and my backyard. The music is constructed with rehearsal material from this period of time."
Filming, music edit: Nadia Marak
Film edit: Efthymios Stavropoulos
Voice: Oriol Marès
Keys: Daniel Bulatkin
Double Bass: Thodoris Ziarkas
Drums: Hektoras Remsak
Journey from Novice to Expert (2019)
"Journey from Novice to Expert is about people who, being totally ignorant (novice) at first, become an expert on the downside of success. I composed this piece around the lyrics of Hotel California by The Eagles. I find the lyrics very intriguing because of the use of imagination in the metaphors and because of the dual significance. To emphasize the dual significance, I only used 12 keywords per verse to form the lyrics in my composition.And to make the lyrics even more imaginative, I reversed the order of the keywords per verse. This all adds to the theme of the song: the disillusion of the ideal American Dream."
Composition, laptop: Nadia Marak
Voice: Sara Moreira Marques
Voice: Teja Poljansek
Bb Clarinet: Adriana Gonçalves
Cello: Alejandro Sanchez
Electric Guitar: Federico Castelli
Electric Bass: Jurriaan de Kok
Drums: Ruud Voesten
Dancing on the Beach (2018)
"Dancing on the beach is an arrangement of the song Kumsalda Dans by Taksim trio. This arrangement is inspired by my memories of a cold week on the beach during Oerol Festival (Terschelling) in 2015."
Arrangement, flute: Nadia Marak
Electric bass: Remy Dielemans